Any legal issues regarding the free online movies on this website should be taken up with the actual file hosts themselves, as we\'re not affiliated with them. The time travel aspect never feels like it’s overshadowing the story of Azkaban, and yet it is endlessly compelling no matter how many times you’ve seen the film.All of the links found on this website are hosted on third-party servers that are freely available to watch online for all internet users. This is to do with both Rowling’s source material and how Cuarón chooses to show the passage of time, right down to the stunning camera shot that zips over Harry and Hermione’s heads and right through the giant clock in Hogwarts castle. Time travel is a difficult conceit to pull off convincingly in any story, but somehow Cuarón manages to make the time travel in Azkaban feel fresh and unique. Then, of course, there’s the time travel of it all. Prisoner of Azkaban is a masterclass in “show don’t tell.” One of the lead characters is a werewolf for goodness’ sakes! It’s one thing for a character to say, “Boy, becoming a teenager sure has its challenges” and it’s another for the film to rely on the storytelling itself to get this point across. And for Ron ( Rupert Grint), well Ron spends most of Prisoner of Azkaban losing track of and getting bitten by his pet rat (who’s actually Wormtail-twist!), but we love Ron all the same.Īnd it’s not just the fact that the kids are becoming teenagers that makes Azkaban so compelling it’s the excellent ways-both subtle and obvious-in which the filmmaking underlines and expands on this growth. For Hermione ( Emma Watson), we see a young ambitious girl struggling to excel to the best of her abilities at school (made possible by the possession of a time turner) while also learning to bend the rules a bit to stand up to her friends (see: when Hermione sucker punches Draco). It’s a revenge story and crisis of identity wrapped into one. That puts the hormone-fueled Harry on a collision course with Sirius Black ( Gary Oldman), who he now despises and wishes to hold accountable for his parents’ death. But in Prisoner of Azkaban, the characters are entering adolescence and thus are undergoing a significant evolution as they work to figure out just what kind of adults they want to become.įor Harry ( Daniel Radcliffe), this means confronting the truth about his family, and reconciling the fact that his parents’ best friend seemingly betrayed them. In Sorcerer’s Stone and Chamber of Secrets, Harry, Hermione, and Ron are children. It all comes down to the source material, and at heart Rowling’s third book is the story of change. This eagerness to switch up the visual approach without betraying what came before would become a mainstay of the franchise, as directors Mike Newell and David Yates would subsequently come in and feel the freedom to mix things up thanks to Cuarón’s handiwork on Azkaban.īut the visual approach and screenplay adaptation aren’t the only reasons Prisoner of Akazaban stands out as the best Harry Potter movie. With Prisoner of Akzaban, Cuarón mixed things up significantly, working with cinematographer Michael Seresin to bring in a darker palette and more ambitious camera moves that served to underline the key thematic throughline of the story: change. Columbus’ visual style in the first two films was fairly classic, with bright lighting and a traditional coverage style (though he was also constrained by the inexperience of the young actors). But the second key addition Cuarón made that positions Prisoner of Azkaban as one of the most important Potter movies was altering the aesthetic approach. So by significantly altering the adaptation approach with Prisoner of Akzaban, Cuarón put the franchise on a course that would ensure success all the way up through the end. This would become the North Star for the adaptations moving forward, and it’s a big reason why the Harry Potter film franchise was able to succeed without tripping over itself trying to cut down or fit in every single thing from the books. If a story or subplot didn’t directly affect Harry, it would fall by the wayside. So Cuarón and screenwriter Steve Kloves made the brilliant decision to hone the focus of Azkaban on Harry Potter. While it was relatively “easy” to adapt Sorcerer’s Stone and Chamber of Secrets for the big screen without leaving out any major plot points, that task became more difficult as time wore on. Beginning with Azkaban, Rowling’s books start becoming much longer and far denser.
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